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an original screenplay by Sandy Ibrahim
Inanna, the powerful and alluring Sumerian queen, defies the Sky Gods and abandons her throne to comfort her widowed sister, Ereshkigal, Queen of the Underworld. After a gruelling and humiliating descent, Inanna is sentenced to die, but the Goddess is not so easy to kill.
Over four thousand years ago, in the cradle of civilization, Sumerian’s most beloved deity was the goddess Inanna, Queen of Heaven and Earth.
As young Queen, Inanna is separated from her mother and sister and raised by paternal Sky Gods. She later falls in love with a mortal shepherd and tricks the god Enki into giving her the tools of civilization. She, in turn, offers those gifts to mankind. She’s kinda got a thing for men…
Years later, Inanna lives in Uruk among the mortals. She shares the temple with her beloved mortal shepherd Dumuzi and doesn’t know he wants to encroach on her power.
But before she is confronted with the full truth of his desception, Inanna hears a call from her sister Ereshkigal, Queen of the underworld (Kur). Ereshkigal’s husband has died and Inanna insists on helping with the funeral.
As is law, no soul can enter the underworld and return to their former life so Inanna appeals to her fathers, the Sky Gods Anu and Ellil, and asks for their help. They actively discourage her and claim they have no power in Kur. Inanna doesn’t listen.
With her trusted friend Ninshubur by her side, Inanna sets off without their support. She instructs Ninshubur to appeal to her fathers if she has not returned in three days.
Inanna pounds on the gate of Kur. Neti, the gatekeeper, allows Inanna to enter one gate at a time but only after she removes an article of royal clothing. By the time she faces her grieving sister, Inanna is dirty, naked and humiliated.
The judges of Kur deem her guilty of hubris. On her sister’s orders, Inanna is killed and is left to rot on a meat hook.
Three days pass. Ninshubur runs to the Sky Gods and begs them for help. They refuse. Desperate to save the life of her beloved friend, Ninshubur approaches Enki who has always had a soft spot for Inanna. Although Enki has less power than either Anu or Ellil, he summons a way. He creates two genderless reflective water daemons and sends them down with strict instructions.
Upon meeting a distressed Ereshkigal, these beings reflect her deep suffering and Ereshkigal’s pain subsides. She is so grateful for the relief of her agony that she promises them anything. They ask for the flesh on the hook. They revive Inanna but as she leaves, Neti, the gatekeeper, reminds her of the law of the underworld. For Inanna to be released, she must send someone else to take her place.
The judges accompany Inanna back to Uruk. They suggest Ninshubur as a replacement but Inanna won’t hear of it. They meet her grieving sons on the road and ask to take one or the other of them. Again, Inanna refuses.
Finally, they see Dumuzi, Inanna’s husband. He sits on her throne, drunk and with women on both knees. Inanna orders the judges to take him. Dumuzi’s sister offers her life in his place and Inanna cuts a deal where each of them spends half a year in the underworld, while the other lives on Earth.
Inanna resumes her role as queen of Uruk and proceeds to smash down the patriarchy.
*retold with creative license
“From the Great Above she opened her ear to the Great Below
From the Great Above the goddess opened her ear to the Great Below
From the Great Above Inanna opened her ear to the Great Below”